Edwin Howland Blashfield (1848–1936) rose to prominence as a muralist during the “American Renaissance,” the period between the 1893 World’s Columbian Exposition and the United States’ entry into World War I. Blashfield’s monumental work can be viewed in courthouses, state capitols, churches, universities, museums, and other places across the United States.
The first book in several decades to focus on the muralist, an esteemed exemplar and advocate of the classical tradition